OUREA
Greek Name
Ουρος Ορος Ουρεα
Transliteration
Ouros, Oros, Ourea
Roman Name
Mons, Montes
Translation
Mountains (oros)
THE OUREA were the primordial gods (protogenoi) of the mountains. Each mountain was believed to have its own ancient deity. Mountains were depicted in classical art as old, bearded men partially emerged from between a pair of crags.
FAMILY OF THE OUREA
PARENTS
GAIA (no father) (Theogony 129)
LIST OF OUREA (MOUNTAIN-GODS)
AITNA (Etna) The volcano of Sikelia (Sicily) and its goddess.
ATHOS A mountain of Thrake (Thrace) (north of Greece) and its god.
HELIKON (Helicon) A mountain of Boiotia (Boeotia) (central Greece) and its god. He entered a singing contest with the neighbouring Mount Kithairon (Cithaeron).
KITHAIRON (Cithaeron) A mountain of Boiotia (Boeotia) (central Greece) and its god. He entered a singing contest with the neighbouring Mount Helikon (Helicon)..
NYSOS (Nysus) A mythical mountain and its god. He was the nurse of the god Dionysos.
OLYMPOS (Olympus) A mountain in Thessalia (Thessaly) (northern Greece) and its god. Olympos was the home of the gods.
OLYMPOS (Olympus) A mountain of Phrygia (in Anatolia) and its god.
OREIOS (Oreus) The mountain-god of Mount Othrys in Malis (central Greece).
PARNES A mountain between Boiotia (Boeotia) and Attika (Attica) (central Greece) and its god.
TMOLOS (Tmolus) A mountain of Lydia (in Anatolia) and its god. He was the judge of a musical contest between Apollon and Pan.
CLASSICAL LITERATURE QUOTES
Hesiod, Theogony 129 ff (trans. Evelyn-White) (Greek epic C8th or C7th B.C.)
:
"And Gaia (Gaea, Earth) first bore starry Ouranos (Uranus, Heaven), equal to herself, to cover her on every
side. And she brought forth long Ourea (Mountains), graceful haunts of the goddess Nymphai (Nymphs) who dwell
amongst the glens of the mountains. She bare also the fruitless deep with his raging swell, Pontos (Sea),
without sweet union of love."
Homer's Epigrams VI (from Papyri) (trans. Evelyn-White) (Greek epic C8th B.C.) :
"[Papyrus text fragments :] So much he said [to Asopos?] . . Parnes [mountain between Boiotai (Boeotia) and
Attika (Attica)] spoke in turn . . ‘Pleasures . . connection by marriage . . that . . of you . . fortune .
. I am content . . Kithairon . . them responsible . . and Kithairon (Cithaeron) . . Plataia (Plataea) [daughter
of Asopos (Asopus)] . . is brought . . the lost . . to the . . Wide-spread, tawny Helikon
(Helicon).&tsquo;" [N.B. This is a fragmentary papyrus text.]
Corinna, Fragment 654 (trans. Campbell, Vol. Greek Lyric IV) (Greek lyric C5th B.C.)
:
"[Mount Kithairon (Cithaeron) and Mount Helikon (Helicon) compete in a singing contest :] That was his
[Kithairon's] song; and at once the Mousai (Muses) instructed the blessed ones to put their secret
voting-pebbles into the gold-shining urns; and they all rose together, and Kithairon won the greater number; and
Hermes promptly proclaimed with a shout that he had won his desired victory, and the blessed ones adorned him
with garlands of firs, and his heart rejoiced; but the other, Helikon, gripped by cruel anguish, tore out a
smooth rock, and the mountain shuddered; and groaning pitiably he dashed it from on high into ten thousand
stones."
Apollonius Rhodius, Argonautica 1. 498 ff (trans. Rieu) (Greek epic C3rd B.C.)
:
"He [Orpheus] sang of that past age [creation] when Gaia (Gaea, Earth) and Ouranos (Uranus, Sky) and Pontos
(Sea) were knit together in a single mould; how they were sundered after deadly strife; how the Astra (Stars),
Selene (the Moon), and travelling Helios (the Sun) keep faithfully to their stations in the heavens; how the
Ourea (Mountains) rose; and how, together with ther Nymphai (Nymphs), the murmuring Potamoi (Streams) and all
four-legged creatures came to be."
Philostratus the Elder, Imagines 1. 26 (trans. Fairbanks) (Greek rhetorician C3rd
A.D.) :
"[From a description of an ancient Greek painting at Neapolis (Naples) :] Birth of Hermes . . . He is born
on the crest of Olympos, at the very top, the abode of the gods . . . He slips out of his swaddling clothes and
begins to walk at once and descends from Olympos. The mountain rejoices in him--for its smile is like that of a
man--and you are to assume that Olympos rejoices because Hermes was born there." [N.B. The mountain-god is
here depicted in anthropomorphic form.]
Ovid, Metamorphoses 11. 150 ff (trans. Melville) (Roman epic C1st B.C. to C1st A.D.)
:
"The crags of [Mount] Tmolus, steep and wide and high, gazing across the sea, at one side fall to Sardis,
at the other reach their end at small Hypaepae. There Pan sang his songs, flaunting among the gently Nymphae
(Nymphs), and played light airs upon his pipes, and dared to boast Apollo's music second to his own, essaying
with old [Mountain-God] Tmolus as the judge unequal contest. On his mountain top the judge was seated; from his
ears he freed the forest trees; only a wreath of oak fringed his green locks, with acorns dangling round his
hollow temples. Then, looking towards the shepherd-god, he said, ‘The judge attends.’ So Pan made
music on his rustic reeds and with his uncouth song entranced the king. Midas by chance was there. To Phoebus
[Apollon] next grave Tmolus turned and, as he turned, his fringe of trees turned too . . . with expert touch he
plucked the strings and, won by strains so sweet, old Tmolus bade the reed bow to the lyre. The sacred
Mountain's (Mons') judgement and award pleased all who heard."
Ovid, Metamorphoses 7. 192 ff :
"[The witch] Medea [casting a spell] . . . in the deep stillness of the midnight hour . . . To the stars
she stretched her arms, and thrice she turned about and thrice bedewed her locks with water, thrice a wailing
cry she gave, then kneeling on the stony ground, `O Nox (Night) [Nyx], Mother of Mysteries, and all ye golden
Astra (Stars) who with Luna (Moon) [Selene] succeed the fires of day, and thou, divine three-formed Hecate, who
. . . dost fortify the arts of magic, and thou, kindly Tellus (Earth) [Gaia], who dost for magic potent herbs
provide . . . ye Montes (Mountains) [Ourea]. . . ye Forest Gods (Di Omnes Nemorum) . . . be with me
now! By your enabling power . . . by my art I sunder serpent's throats; the living rocks and mighty oaks from
out their soil I tear; I move the forests, bid the mountains quake."
Ovid, Heroides 4. 169 ff (trans. Showerman) (Roman poetry C1st B.C. to C1st A.D.)
:
"May the agile goddess [Artemis] wait on you [the hunter Hippolytos] in the solitary glade to keep you
safe, and the deep forest yield you wild beasts to slay; so may the Satyri be your friends, and the mountain
deities (numina montanum), the Panes, and may the boar fall pierced in full front by your spear; so may
the Nymphae (Nymphs) . . . give you the flowing water to relieve your parching thirst!"
SOURCES
GREEK
- Hesiod, Theogony - Greek Epic C8th - 7th B.C.
- Homerica, Homer's Epigrams - Greek Epic C8th - 7th B.C.
- Greek Lyric IV Corinna, Fragments - Greek Lyric C5th B.C.
- Apollonius Rhodius, The Argonautica - Greek Epic C3rd B.C.
- Philostratus the Elder, Imagines - Greek Rhetoric C3rd A.D.
ROMAN
- Ovid, Metamorphoses - Latin Epic C1st B.C. - C1st A.D.
- Ovid, Heroides - Latin Poetry C1st B.C. - C1st A.D.
BIBLIOGRAPHY
A complete bibliography of the translations quoted on this page.